![]() “Bitches Brew” and “Live-Evil”, released in sequential years and part of the “Electric Miles” period, saw Davis gather a truly legendary cast of musicians to produce two of the most challenging collections of music – ever. Another reason these jazz ideologues dismissed “70s Miles is that the bands aren’t stellar”, according to Christgau. And it was not loved by all, especially jazz critics – “thus obviously worthy of suspicion if not contempt”. Like the respectable free jazz, his music was experimental and out there during this phase, but unlike the former, it was “electric, beat-heavy, and marketed to kids”, as music doyen Robert Christgau put it. Dubbed “ Electric Miles”, it was unpredictable, challenging, groundbreaking – funk’s James Brown meeting art music’s Karlheinz Stockhausen, with psychedelic rocker Jimi Hendrix gatecrashing. Miles Davis’ “ electric period” was book-ended by his records “ In a Silent Way” (1969) and “ Agharta” (1976). Here, Zen Marie introduces two of jazz trumpeter Miles Davis’ albums, “Bitches Brew” (1970) and “Live-Evil” (1971). This is the second in a new weekly series called “Under the influence”, in which we ask experts to share what they believe are the most influential works of art in their field.
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